Found:


A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Gallery of Honour

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8

The Sick Child

Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059

A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…

On display in room 2.25

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

The Singel Bridge at the…

George Hendrik Breitner, 1898, painting, SK-A-3580

Breitner often took photos when preparing a painting. Several preparatory photos for this painting are also known. The way the woman is walking directly towards us and the way the picture is cropped gives it a photographic feel. Originally, Breitner’s subject was a maid, but following the negative…

On display in room 1.18

The Threatened Swan

Jan Asselijn, c. 1650, painting, SK-A-4

With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby. Showing the scene from a low angle emphasises the bird’s power. The inscriptions are a later addition and have a political message. They refer to the Dutch political leader Johan de Witt, who…

On display in Philips wing, room 1.3

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

On display in room 1.13

The Merry Fiddler

Gerard van Honthorst, 1623, painting, SK-A-180

On display in room 2.1

Children of the Sea

Jozef Israëls, 1872, painting, SK-A-2382

This delightful scene contains a moral. These children from a poor fishing village with their shabby clothes and broken toys, are playing out their own future. The oldest boy carries the burden of his family on his shoulders, while the boat represents the harsh life at sea. Jozef Israëls first…

On display in room 1.18