Search in Rijksstudio
Self-portrait as the Apostle Paul
Rembrandt van Rijn, 1661, painting, SK-A-4050
Here, Rembrandt is about 55. In this portrait he represents St Paul, the apostle, identified by his usual attributes: a manuscript and a sword, of which the hilt extends from under the cloak. The self portrait is typical of Rembrandt’s late style of painting: he used the paint structure in the…
On display in Gallery of Honour
Floral Still Life
Hans Bollongier, 1639, painting, SK-A-799
While this ample bouquet appears quite natural, tulips, anemones, roses and carnations all have different seasons. Yet Bollongier combined them into a harmonious composition. This still life was painted following the financial collapse of 1637, when many lost their fortunes speculating in tulip…
The Night Watch
Rembrandt van Rijn, 1642, painting, SK-C-5
Rembrandt’s largest, most famous canvas was made for the Arquebusiers guild hall. This was one of several halls of Amsterdam’s civic guard, the city’s militia and police. Rembrandt was the first to paint figures in a group portrait actually doing something. The captain, dressed in black, is…
On display in Nightwatch gallery
The Massacre of the Innocents
Cornelis Cornelisz. van Haarlem, 1590, painting, SK-A-128
On display in room 2.1
Portrait of a Woman, Possibly Maria…
Rembrandt van Rijn, 1639, painting, SK-C-597
Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…
On display in room 2.8
Still Life with Asparagus
Adriaen Coorte, 1697, painting, SK-A-2099
Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…
On display in room 2.24
Banquet at the Crossbowmen’s Guild…
Bartholomeus van der Helst, 1648, painting, SK-C-2
Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…
On display in room 2.8
Madonna of Humility
Fra Angelico, c. 1440, painting, SK-A-3011
On display in room 0.2
Woman in a Large Hat
Caesar van Everdingen, c. 1645 - c. 1650, painting, SK-A-5005
This woman with her wide sunhat and seductive, bared shoulder is similar to the enticing shepherdesses that often appear in Dutch paintings. She proffers a small basket of fruit to the viewer in an unmistakably erotic gesture. The picture was originally intended to be displayed high on a wall, above…
On display in room 2.11
Javanese Court Officials
anonymous, c. 1820 - c. 1870, painting, NG-2010-40
Clothes make the man, so too in Indonesia. These are not actual portraits, but types. In addition to revealing the region these men come from, the meticulously painted clothes and batik motifs also provide information about their rank and status. These proud, confident figures are unusual: in…
On display in room 1.17