Search in Rijksstudio
Still Life with a Gilt Cup
Willem Claesz Heda, 1635, painting, SK-A-4830
In forty years, Willem Heda only ever painted still lifes. His paintings differ from the still lifes of his contemporaries: the colours are gentler, cooler and more harmonious. The bright yellow lemon peel is the only colour accent. In this work, Heda shows his skill in rendering different…
On display in Gallery of Honour
The Fête champêtre
Dirck Hals, 1627, painting, SK-A-1796
Dirck Hals mostly painted people enjoying themselves, yet often included a moral message. In this painting of an ostensibly frivolous party, the chained monkey in the foreground represents man living in sin and unable to free himself. It is an admonition to the viewer to avoid licentious behaviour.…
On display in room 2.6
Interior of the Sint-Odulphuskerk…
Pieter Jansz Saenredam, 1649, painting, SK-C-217
Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…
On display in room 2.14
Worship of the Golden Calf
Lucas van Leyden, c. 1530, painting, SK-A-3841
On display in room 0.6
The Well-stocked Kitchen, with…
Joachim Bueckelaer, 1566, painting, SK-A-1451
It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…
On display in room 0.6
The Holy Kinship
Geertgen tot Sint Jans (workshop of), c. 1495, painting, SK-A-500
Christ’s family is gathered together in this fictional medieval church: the Holy Family, known in Dutch as the holy ‘maagschap’, an old word for kinship. Left, in a blue robe, the Virgin Mary is seated with Jesus, and alongside, her mother Anna. Behind are the two husbands: Joseph and Joachim.…
On display in room 0.1
Seated Cupid
Étienne-Maurice Falconet, 1757, sculpture, BK-1963-101
This famous statue already had many nicknames in the 18th century. Perhaps the best known is l’amour menaçant - menacing love. The menace is mainly in the love god’s expression, while his gesture makes us complicit, through silence. The statue was carved for Madame de Pompadour, mistress of Louis XV…
On display in room 1.9
Portrait of Jacob Cornelisz van…
Jacob Cornelisz van Oostsanen (workshop of), c. 1533, painting, SK-A-1405
Self portraits signal a growing awareness among artists of their own role. This work was long thought to be the earliest self portrait of an artist in the Northern Netherlands. Jacob Cornelisz is looking directly at the viewer; behind him on a piece of paper is the date, 1533, and the artist’s…
On display in room 0.6
The Seven Works of Mercy
Master of Alkmaar, 1504, painting, SK-A-2815
A town in Holland is the setting for a narrative strip showing how a good Christian should help the needy. In almost all the scenes, Christ appears among the onlookers. The scenes give a sense of town life around 1500. This is one of the many art works severely damaged when Protestants cleansed…
On display in room 0.4