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A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Philips wing, room 1.2

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8

The Merry Fiddler

Gerard van Honthorst, 1623, painting, SK-A-180

On display in room 2.1

Children of the Sea

Jozef Israëls, 1872, painting, SK-A-2382

This delightful scene contains a moral. These children from a poor fishing village with their shabby clothes and broken toys, are playing out their own future. The oldest boy carries the burden of his family on his shoulders, while the boat represents the harsh life at sea. Jozef Israëls first…

On display in room 1.18

River Landscape with Riders

Aelbert Cuyp, c. 1653 - 1657, painting, SK-A-4118

Travellers are resting their horses in a sun-soaked river landscape. To judge from their orange shawls, they seem to be Dutch army officers. Cuyp saw these steep hills when he travelled along the River Rhine between Nijmegen and Cleves. It was probably the sketches he drew there that formed the…

On display in Gallery of Honour

The Massacre of the Innocents

Cornelis Cornelisz. van Haarlem, 1590, painting, SK-A-128

On display in room 2.1

The Threatened Swan

Jan Asselijn, c. 1650, painting, SK-A-4

With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby. Showing the scene from a low angle emphasises the bird’s power. The inscriptions are a later addition and have a political message. They refer to the Dutch political leader Johan de Witt, who…

On display in Gallery of Honour

The Night Watch

Rembrandt van Rijn, 1642, painting, SK-C-5

Rembrandt’s largest, most famous canvas was made for the Arquebusiers guild hall. This was one of several halls of Amsterdam’s civic guard, the city’s militia and police. Rembrandt was the first to paint figures in a group portrait actually doing something. The captain, dressed in black, is…

On display in Nightwatch gallery

Girl in a White Kimono

George Hendrik Breitner, 1894, painting, SK-A-3584

Inspired by Japanese prints, Breitner painted at least twelve versions of this girl in a white kimono around 1894. Each time, her pose is different and the kimono is a different colour. Here the embroidered white silk kimono with red trimmed sleeves and orange belt are what draw our attention. The…

On display in room 1.18

Gallant Conversation, Known as ‘The…

Gerard ter Borch (II), c. 1654, painting, SK-A-404

A man of the world, a soldier perhaps, is looking admiringly at the young woman in the splendid satin dress. They were once thought to be father and daughter. But perhaps the man is the woman’s suitor, and the older woman is a chaperone. The young woman’s pose, standing with her back to the viewer,…

On display in room 2.25