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The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

Gallant Conversation, Known as ‘The…

Gerard ter Borch (II), c. 1654, painting, SK-A-404

A man of the world, a soldier perhaps, is looking admiringly at the young woman in the splendid satin dress. They were once thought to be father and daughter. But perhaps the man is the woman’s suitor, and the older woman is a chaperone. The young woman’s pose, standing with her back to the viewer,…

The Battle of Terheide

Willem van de Velde (I), 1657, painting, SK-A-1365

English ships blockaded the Dutch Republic’s harbours in 1653. While leading an attempt to break the blockade, the Dutch admiral Maarten Tromp was killed. His family commissioned this painting of his final battle to commemorate his death. It still has its original frame, featuring the heraldic arms…

On display in room 2.15

View of Houses in Delft, Known as…

Johannes Vermeer, c. 1658, painting, SK-A-2860

An unusual painting in Vermeer’s oeuvre: a few houses and a couple of people in a quiet street. Vermeer gave the scene a palpable sense of tension and balance. The old walls, worn bricks and white plaster are almost tangible. What part of Delft this shows is no longer known.

On display in Gallery of Honour

The Battle of Waterloo

Jan Willem Pieneman, 1824, painting, SK-A-1115

Emperor Napoleon met his final defeat at the Battle of Waterloo in 1815. This painting – the largest at the Rijksmuseum – shows the moment when the tide turned: the British general Wellington hears that the Prussian army is approaching. Victory, and an end to twenty years of war, is at hand. The…

On display in room 1.12

The Sampling Officials of the…

Rembrandt van Rijn, 1662, painting, SK-C-6

Samplers checked the quality of dyed cloth. Here Rembrandt shows them at work, distracted for a moment and looking up. One syndic is about to sit, or stand, so not all the heads are at the same level. A clever trick which, with the confident brushwork and subtle use of light, make this one of the…

On display in Gallery of Honour

The Merry Family

Jan Havicksz. Steen, 1668, painting, SK-C-229

IYoung and old are having a wonderful time: mother and grandmother are singing, the children are playing music and smoking, and father raises his glass. The note on the mantelpiece comments poignantly: ‘as the old sing, so pipe the young’. Steen’s picture brings the saying to life and warns the…

On display in Gallery of Honour

Night Watch, Militia Company of…

Rembrandt van Rijn, 1642, painting, SK-C-5

Rembrandt’s largest, most famous canvas was made for the Arquebusiers guild hall. This was one of several halls of Amsterdam’s civic guard, the city’s militia and police. Rembrandt was the first to paint figures in a group portrait actually doing something. The captain, dressed in black, is…

On display in Nightwatch gallery

The Singel Bridge at the…

George Hendrik Breitner, 1898, painting, SK-A-3580

Breitner often took photos when preparing a painting. Several preparatory photos for this painting are also known. The way the woman is walking directly towards us and the way the picture is cropped gives it a photographic feel. Originally, Breitner’s subject was a maid, but following the negative…

The Threatened Swan

Jan Asselijn, c. 1650, painting, SK-A-4

With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby. Showing the scene from a low angle emphasises the bird’s power. The inscriptions are a later addition and have a political message. They refer to the Dutch political leader Johan de Witt, who…

On display in Gallery of Honour