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The Seven Works of Mercy

Master of Alkmaar, 1504, painting, SK-A-2815

A town in Holland is the setting for a narrative strip showing how a good Christian should help the needy. In almost all the scenes, Christ appears among the onlookers. The scenes give a sense of town life around 1500. This is one of the many art works severely damaged when Protestants cleansed…

On display in room 0.4

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

The Holy Kinship

Geertgen tot Sint Jans (workshop of), c. 1495, painting, SK-A-500

Christ’s family is gathered together in this fictional medieval church: the Holy Family, known in Dutch as the holy ‘maagschap’, an old word for kinship. Left, in a blue robe, the Virgin Mary is seated with Jesus, and alongside, her mother Anna. Behind are the two husbands: Joseph and Joachim.…

On display in room 0.1

Still Life with a Gilt Cup

Willem Claesz. Heda, 1635, painting, SK-A-4830

In forty years, Willem Heda only ever painted still lifes. His paintings differ from the still lifes of his contemporaries: the colours are gentler, cooler and more harmonious. The bright yellow lemon peel is the only colour accent. In this work, Heda shows his skill in rendering different…

On display in Gallery of Honour

The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

On display in room 0.6

Portrait of a Couple, Probably…

Frans Hals, c. 1622, painting, SK-A-133

The fabulously wealthy Haarlem merchant and his wife commissioned their friend Frans Hals to paint their portrait in an unusual way. Seventeenth-century couples rarely appear together in a single painting, especially in such a nonchalant pose. Hals included all kinds of symbols of love in the…

On display in Gallery of Honour

The Art Gallery of Jan…

Adriaan de Lelie, 1794 - 1795, painting, SK-A-4100

In 1792, Gildemeester, a merchant, turned two large rooms at his house on Amsterdam’s Herengracht into an art gallery. Here he stands proudly at the centre of the front room, speaking with one of his guests. Visitors are examining famous paintings, including a Rembrandt - above Gildemeester’s head.…

On display in room 1.10

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

Isaac and Rebecca, Known as ‘The…

Rembrandt van Rijn, c. 1665 - c. 1669, painting, SK-C-216

It seems that Rembrandt painted his subjects as the biblical couple, Isaac and Rebecca. Its popular name, the Jewish Bride, is a later invention. The portrait is painted with an extraordinarily free hand, as in the sleeve, where the paint is especially thick and shaped to reflect the light.

On display in Gallery of Honour

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…

On display in room 0.6