Self Portrait, circa 1660, Jacob van Loo, 1655 - 1665

? By descent from the artist to his great-grandson Louis-Michel van Loo (1707-71); his estate inventory, Paris, 22 April 1771, with pendant (‘Deux Bustes en ovales peints par Jacques Vanloo representant L’un son portrait en Armenien et l’Autre son frere prisés Deux Cent Livres cy’);{Transcribed in Rolland 2012, p. 58.} his sale, Paris (F. Basan), 14 December 1772, no. 53, with pendant (‘Hauteur 22 pouces, sur 18 de large [59.5 x 48.7 cm], Deux bustes de forme ovale: l’un représente le portrait de l’Auteur, bisayeul de Lous-Michel Vanloo; il s’est peint vêtu en Arménien, soulevant de la main-gauche son vêtement, & la tête couverte d’un bonnet fourré; l’autre est le portrait de son père, peint dans le stile de Rembrandt’), frs. 50, to Louis-Michel van Loo's brother, Charles Amédée Philippe van Loo (1719-95), Paris;{Gabriel de Saint-Aubin made a sketch of the painting in his copy of the catalogue; see Dacier 1911, unpag. (ill.).} ? his daughter, Marie Victoire van Loo (1749-?) and her husband Marc Antoine Combemale, Paris; ? their son, Charles Amédée Philippe François Combemale (1783-?), Paris; ? his daughter, Caroline Félicité Combemale and her husband, Viscomte de Lamare, Paris; their daughter, Gabrielle de Lamare and her husband Henri Félix-Faure (1846-1922), Grenoble; purchased from his heirs by the museum, as Self-portrait by Jacob van Loo, 1999

Bibliography and list of abbreviations for the provenance (pdf)

Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.