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The Fête champêtre
Dirck Hals, 1627, painting, SK-A-1796
Dirck Hals mostly painted people enjoying themselves, yet often included a moral message. In this painting of an ostensibly frivolous party, the chained monkey in the foreground represents man living in sin and unable to free himself. It is an admonition to the viewer to avoid licentious behaviour.…
On display in room 2.6
Still Life with a Gilt Cup
Willem Claesz Heda, 1635, painting, SK-A-4830
In forty years, Willem Heda only ever painted still lifes. His paintings differ from the still lifes of his contemporaries: the colours are gentler, cooler and more harmonious. The bright yellow lemon peel is the only colour accent. In this work, Heda shows his skill in rendering different…
On display in Gallery of Honour
Floral Still Life
Hans Bollongier, 1639, painting, SK-A-799
While this ample bouquet appears quite natural, tulips, anemones, roses and carnations all have different seasons. Yet Bollongier combined them into a harmonious composition. This still life was painted following the financial collapse of 1637, when many lost their fortunes speculating in tulip…
Portrait of William I, Prince of…
Adriaen Thomasz. Key, c. 1579, painting, SK-A-3148
Of all the nobles in the Low Countries to join the revolt against the Spanish crown, the foremost was William of Orange (1533-1584). Raised at the court of Charles V, he was a consummate diplomat: hence his nickname, the Silent. He emerged as the leader of the insurrection against Spain. In 1580,…
On display in room 2.1
Still Life with Asparagus
Adriaen Coorte, 1697, painting, SK-A-2099
Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…
On display in room 2.24
Portrait of a Woman, Possibly Maria…
Rembrandt van Rijn, 1639, painting, SK-C-597
Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…
On display in room 2.8
Madonna of Humility
Fra Angelico, c. 1440, painting, SK-A-3011
On display in room 0.2
Rich Children, Poor Parents
Aert Pietersz., 1599, painting, SK-A-4822
On display in room 2.5
Portrait of a Haarlem Citizen
Jan van Scorel, 1529, painting, SK-A-3853
On display in room 0.6